"Lawn Nation" at the Nature Museum (5/22 on)


Lawn Nation art exhibition and events series at the Notebaert Nature Museum

For the summer of 2008, the Peggy Notebaert Nature Museum brings photographs, art installations, films, furniture made from turf grass, reimagined croquet games, altered garden gnomes, pink flamingos, and audio narratives together in an exhibition that explores American's most ubiquitous landscape. Outdoors on Museum grounds, futuristic lawns are brought to life by Foresight Design Initiative and the landscape design firms of Christy Webber, JFNew, and Tallgrass Restoration.


When ::::::

Opening Reception: Thursday, Nay 22, 5:30 - 8:30pm

runs through September 7th with a summer worth of programming


Where::::::

Notebaert Nature Museum
2430 N Cannon Dr, Chicago, IL 60614
773.755.5100

"Small Science" at MCA's Hip Lit (5/17)


The zine project the Small Science Collective will be at this year's Hip Lit Fair at Chicago's Museum of Contemporary Art and co-sponsored by Quimby's.

SSC was featured last week in the media and culture blog Is Greater Than.

Come by and pick up some free zines, talk science and browse all the other comics and going on now in the city, including Christa Donner's latest zine "Re: Productive"

When:::::

Saturday May 17th, noon - 4pm.

Where:::::

Museum of Contemporary Art
220 East Chicago Avenue
Chicago, IL 60611
312.397.4010

Labels: , ,

eMotion Pictues: Orthopeadics in Art (till 7/20)

'eMotion Pictures: An Exhibition of Orthopeadics in Art'


artwork of Elaine Silets and Susan Etcoff

from the Cultural Center website:

Sponsored by the American Academy of Orthopaedic Surgeons, eMotion Pictures is a juried exhibition of paintings, drawings, sculpture and photography by artists who have experienced an orthopaedic condition, and by orthopaedic surgeons who treat them. Both adult artists and children were asked to share artwork that illustrated some aspect of their relationship to this orthopaedic condition: fear, healing, anger, self-image, mobility, frustration, strength, pain, weakness, hope, independence.

When:::::::

through July 20
FREE!

Where:::::::

the Chicago Cultural Center
77 E. Randolph St.
Chicago
(312) 744-6630

Darwin + Design Exhibition and Symposium

Design in the Age of Darwin: From William Morris to Frank Lloyd Wright

May 9–August 24, 2008
Frances and Leigh Block Museum of Art
40 Arts Circle Drive
Evanston, IL 60208
phone: 847-491-4000

This from the Block Museum Website:
With the publication of
The Origin of Species in 1859, Charles Darwin challenged the foundations of both science and culture. His ideas about the transmutation of species and the mutability of nature provoked strong reactions among naturalists and theologians and continue to stir debate today. It is less well known that the influence of Darwinian and other modes of evolutionary thought extended into the realms of architecture, the decorative arts, and design, as well, where biological terms like “adaptation,” “fitness,” “functionalism,” and “type” were used by theorists and practitioners alike. During the fifty or so years following the publication of The Origin of Species, biologists and designers wrestled with the question of whether the evolution of plants and animals, and the decorative forms derived from them, was the result of an internal dynamic presided over by a divine creator or external factors governed by mere contingency. The dispute, which may be called the "formalism/functionalism debate," was engaged by the English designers William Morris, Christopher Dresser, C. F. A. Voysey, and C. R. Ashbee, as well as the American architects Louis Sullivan and Frank Lloyd Wright, whose works are included in the exhibition.


This exhibition is guest curated by Northwestern University art history professor Stephen F. Eisenman. A full color illustrated catalogue ($36.95) published by the Block Museum and Northwestern University Press accompanies the exhibition.

In Conjunction with this exhibition:
“Darwin and Design” Symposium
9:30 a.m. to 4 p.m.

Saturday, May 17
Frances and Leigh Block Museum of Art
40 Arts Circle Drive, Evanston, IL

An international panel of scholars will gather to discuss the impact of the theory of evolution on British and American architecture, design and decorative arts. Caroline Arscott, Courtauld Institute of Art, University of London; David Brett, University of Ulster, Belfast; Stuart Durant, independent author and scholar; Jonathan Smith, University of Michigan-Dearborn; and Northwestern’s Sarah Teasley, assistant professor of art history, Weinberg College of Arts and Sciences, will participate. Admission is free.

Schedule, Panelists, and more information can be found HERE (scroll to event).

Christa Donner and Timea Tihanyi at IMSS





Chicago artist Christa Donner creates new models for the human body based on sensation and imagination. On Friday, May 2nd, the International Museum of Surgical Science presents "ExtraSensory," an exhibition of Donner's drawing-based installation, zines, photography, and works on paper from a body of work created in collaboration with rural teens. The resulting images present a complex, surreal look at teenage body image and the things we can feel but can't see.

The museum also debuts "Two Spaces, One Body," a new site-specific work by Seattle artist Timea Tihanyi , who recreates historic medical images through fiber-based installation. Both exhibitions are part of the Anatomy in the Gallery series, and open with a free reception amidst the giant kidney stones and antique forceps of the museum's collection.

Free public reception for the artists on Friday, May 2nd from 5 - 8 pm
The exhibition remains on view through April 18, 2008 with museum admission

Christa Donner: ExtraSensory
and Timea Tihanyi: Two Spaces, One Body
The International Museum of Surgical Science
1524 N. Lake Shore Dr. (inner drive)
Chicago, IL 60610
312.642.6502


Steve Kurtz Update - "Bioterrorism" charge finally dropped?

After the interminable time the government takes to deal with the messes it chooses to create, it seems like the one surrounding the charges against Steve Kurtz for bioterrorism activities may be coming to an end.

Look to Critical Art Ensemble's Defense Fund site for more details - what was preparation for an art exhibit on biotechnology led to four hard years of nonsense - let's hope this recent ruling closes the case.

The Hysterical Alphabet

The Hysterical Alphabet
Chopin Theater
1543 W. Division Street, Chicago
7:00 pm

Sundays April 13th, 20th, and 27th

Theater Oobleck presents the full version of The Hysterical Alphabet, "disproving the theory that time heals all wombs." This remarkable performance by writer Terri Kapsalis features live sound by John Corbett and projected video by Danny Thompson, merging the aural and the visual to poetically explore misunderstandings of womens' bodies and minds through the history of hysteria. The performance coincides with the release of Kapsalis' book by the same name, featuring illustrations by Gina Litherland and published by WhiteWalls press.

Reservations are highly recommended: 773-347-1041
$10 suggested donation

World Offset - part of the EcoAesthetics Exhibit


WORLD OFFSET is a new artwork by SAIC faculty Tiffany Holmes that just opened this last week for the <>TAG exhibition, EcoAesthetics. The interactive website allows individuals in the Hague and beyond to pledge a small carbon offset that alters the visuals in the eco-visualization. An eco-visualization is a creative animation that makes hidden or numeric environmental data visible and comprehensible.

Both the full-screen and web-based animation begins with no carbon offsets. All of the spinning disks are filled with devices that consume energy: hairdryers, toasters, cars, and airplanes. When the first 100 pounds of carbon are promised, a change occurs in the animation: trees replace hairdryers. The goal of the animation is to offset at minimum 15,000 pounds of carbon, the amount that the average American consumes per year. The fact that so many real promises are required to offset the impact of one individual is in itself a demonstration of the enormous challenge of modifying human behavior to slow climate change.

Every thirty seconds the name of the most recent offset contributor is displayed in the animation. The website dynamically archives all carbon promises and contributor information.

Please check out the site and make a carbon promise. No cheating, pick something you are not doing already.

Radio Ephemera - call for Submissions

Radio Emphemera is this his years audio challenge from the Third Coast Festival in collaboration with the Prelinger Library

HEAR a description of the project and an interview with the Prelingers


Yes, you have until August 3rd to come up with a 3 minute story using a stranger's voice that connects at least two out of five books from the library. Nicely, three of the five books in the pool are old biology texts, so the possiblities abound...

"Heating Up" Exhibit - Call to Artists

The Evanston Art Center, a non-profit, community based visual arts organization is hosting an exhibition, "Heating Up" scheduled for October 5- November 9, 2008.

This is an exhibition of artists who are
creating a cultural discourse around the topics of climate change and ecosystem degradation. We are currently looking for submissions from artists until August 15, 2008. The artists may use a range of methods and media-including installations, drawings, sculpture, photography and/or projects that involve the community. The artists in "Heating Up" will challenge viewers to initiate dialogues and engage in actions that can help heal our planet's fragile ecosystems.

For more information:
www.evanstonartcenter.org/exhibitions or Contact: pdanoff@evanstonartcenter.org Evanston Art Center 2603 Sheridan Road Evanston, IL 60201
847.475.5300

Autism + The Republics of Cognition 3/18

Autism & the Many Republics of Cognition
presented by Ralph Savarese, Associate Professor of English, Grinnell College

Tuesday, March 18
Noon-1:30 PM
The University of Illinois at Chicago
Westside Research Office Bldg., Room 561
1747 West Roosevelt Road, Chicago


The Institute for Health Research and Policy, The Chancellor's Committee on Disability, and Project Biocultures present this seminar as part of the University of Illinois at Chicago's ongoing Biocultures Seminar series.

Ralph Savarese, PhD, is an associate professor of American literature, creative writing, and disability studies at Grinnell College. He is the author of Reasonable People: A Memoir of Autism and Adoption (Other Press, 2007), hailed by Newsweek as “real life love story and an urgent manifesto for the rights of people with neurological disabilities.”

Leap (Year) Screening at Golden Age (2/29)

The Leap (Year) Show
Friday, Feb 29th, 7:30 PM
GOLDEN AGE
1500 W 17th Street, Chicago, IL

In celebration of Greeks who won't get hitched in intercalary years,
of the "Ladies' Privilege", of the Gregorian calendar that extends our
collective lives by one day for every 1460 lived, and of all
birthday leaplings, Ben Russell and the folks at artist-book/small item shop GOLDEN AGE present an evening of Experimental Films Featuring Things That Leap. FROGS and TOADS, that is. Hop over to Pilsen and check out their "kino-swamp of frame-fluttering frogs,
animatronic amphibians, pixellated pipas, and truly terrifying toads.
Don't miss out - this is the sort of batrachian magic that only occurs
once every four years..."

FEATURING: Frogland by Ladislaw Starewicz (8:00, 35mm on video, 1922);
A Frog on the Swing by Robert Breer (5:00, 16mm, 1989); Habitat
Batrachian by Rose Lowder (8:30, 16mm, 2006); Cane Toads by Mark Lewis
(65:00, video, 1988)
TRT 86:30

Climate Clock - call for artists

The Climate Clock Global Initiative is seeking ideas from artist-led teams to create a major artwork entitled Climate Clock, which will measure changes in greenhouse gas levels, and be the first in a series of global projects calling attention to climate change.

Climate Clock
will be an instrument of long-term measurement and will collect data for 100 years. The artwork will be located in downtown San Jose, California, Silicon Valley's city center, and will be a collaboration between an artist-led team composed of artists, international and Silicon Valley engineers and other creative professionals who are working with climate measurement and data visualization. It is anticipated that the budget for the construction of Climate Clock will be between $5 and $15 million, depending upon the scope of the final proposal.

To view the call visit http://cadre.sjsu.edu/fuse/strategem.html, for a PDF of the call, please visit http://www.sanjoseculture.org/?pid=4500 and to apply, go to www.callforentry.org, register a username and password, navigate to "Apply to Calls", and search for "San Jose Climate Clock". If you have questions please write climateclock@sanjoseca.gov

The Climate Clock Initiative is a collaboration between FUSE: cadre/montalvo artist research residency initiative and the City of San Jose Public Art program in cooperation with ZERO1.


-- Kuniko Vroman, Coordinator FUSE: _ CADRE/Montalvo Artist Research Residency Initiative CADRE Laboratory, School of Art and Design San Jose State University One Washington Square San Jose, CA 95192-0089 USA ( p ) 408. 924.4368 ( f ) 408.924.4326

Fluids, Sparks, and Spirits in Antebellum America (2/13)


Fluids, Sparks, and Spirits in Antebellum America
Justine Murison, UIUC Monticello Fellow
Wednesday, February 13, 3:30 pm

Newberry Library
2nd Floor, Towner Fellows' Lounge

60 West Walton Street

Chicago, IL 60610-7324


What are the politics and physiology of anxiety? Is nervousness subject to historical change?
Does a literary work represent, exploit, or contain cultural anxiety? Or all three? By turning to the antebellum era, a period that popularized physiological conceptions of nervous interiority, this talk explores the relationship between theories of the electrical body popular in antebellum physiology and its widespread (and sometimes paradoxical) uses in cultural, political, and theological thinking.

All are welcome!
Refreshments are served at 3:30 p.m.
presentation begins at 4:00 p.m.

Landscape Art at the Notebaert











Imperfect Recall

January 19 - March 30, 2008
Notebaert Nature Museum
2430 North Cannon Drive

Chicago artist Tom Denlinger presents his photographic series, Imperfect Recall, in an exhibition on the lower level of the Peggy Notebaert Nature Museum this month.

From the Museum's Press Release: "Denlinger selects transparencies of landscape art from museum collections and then gathers leaves, plants and debris from outside museums. Back in the studio, he uses the accumulation of objects to assemble dioramas under plexiglass meant to look as if the small patch of landscape is under water.The transparencies are projected onto the dioramas. Both the artificial landscape presented by the museum on its indoor walls and the artificial landscape the artist has created himself are then photographed together as a single composition. The projected images address the artist’s relationship to imaging media as well as to urban and cultural landscapes. "

Admission to this exhibition is free with general museum admission ($9 general adult admission; free on Thursdays).

Patterns, Pixels, and Process: Discussing the History of the Computer Print (2/16)

http://pegasus.phast.umass.edu/data_products/pixel_data_archive/raw_pixels.jpg

Patterns, Pixels, and Process: Discussing the History of the Computer Print


February 16, 2008
9:30 AM - 4:30 PM

Block Museum of Art

40 Arts Circle Drive
Evanston, IL
60208-2410

Description: This symposium brings together artists and scholars to map out a history of the computer print, from its pioneering stages, through the so-called paintbox era, and to its diverse contemporary environment. Participants will speak in the following order:
  • Debora Wood (Block Museum senior curator)
  • Edward Shanken (Art and Science Center, UCLA)
  • Charles Jeffries and Colette Stuebe Bangert (artists)
  • Frieder Nake (University of Bremen, Germany)
  • David Em (artist)
  • Roman Verostko (artist)
  • Sonya Rapoport (artist)
  • C.E.B. Reas (artist)
  • Moderated by Paul Hertz (artist and co-curator, Imaging by Numbers)
This program is FREE. Reservations are not required. Sponsored by Flashpoint, The Academy of Media Arts and Sciences. Additional support is provided by American Airlines and the Myers Foundations.

Imaging by Numbers: A Historical View of the Computer Print



Imaging by Numbers: A Historical View of the Computer Print
January 18–April 6, 2008

Block Museum of Art
40 Arts Circle Drive Evanston, IL 60208-2410
Phone: 847-491-4000 F

Bioculture Seminar: Donor Offspring and DNA testing

Wednesday, Feb 6, 11:30-1pm
As Part of UIC's ongoing Biocultures Seminar Series, Filmmaker Barry Stevens will show selections from his CBC film "Offspring" about donor offspring and DNA testing, based on Stevens' own experience seeking information on his donor from artificial insemination. The session will explore the relationship between culture and science through this lens. UIC Professor Lennard Davis will also talk about his book on donor offspring and DNA testing. Q and A discussion will follow.

The event takes place at UIC's Humanities Institute, in the lower level of Stevenson Hall (701 S. Morgan Street). Light lunch will be available.



American Apartheid: Tracing the Art, Science and Ethics of Medical Racism (2/7)

"American Apartheid: Tracing the Art, Science and Ethics of Medical Racism"
a talk by Harriet Washington

Thursday, February 7th, 4:30-6 pm

Ferguson Auditorium
600 S. Michigan Ave.
Columbia College Chicago

For several hundred years, U.S. bias against black Americans in the medical sphere has reflected the political, social and economic realities of the larger culture. In addition, medical beliefs have both reflected and been fed by artistic trends, mores and practices and have been reinforced by literary movements and semantic strategies. This talk will trace some of these and indicate
how this history affects today's medical-research practices.

Ms. Washington is a Visiting Scholar at DePaul University, medical ethicist, and author of Medical Apartheid: The Dark History of Medical Experimentation on Black Americans from Colonial Times to the Present.

The talk is a Critical Encounters: Poverty and Privilege event and is co-sponsored by the Liberal Education Department.

The event is preceded by a brief, light food reception beginning at 4 PM.

Also, a complete list of the spring series can be found online at http://www.colum.edu/Academics/Science_and_Mathematics/colloquium.php

"Warsong" and "Marked" at the IMSS (Feb.1 - April 18)











“Warsong:
Iliad Cenotaphs,” an exhibition of sculptures by Jonathan Gabel, and “Marked,” a mixed-media installation by Joseph Kohnke, as part of its ongoing “Anatomy in the Gallery” contemporary art program at the IMSS

opening on February 1, 2008, with a free, public reception for the artists from 5:00 to 8:00 p.m.,and remaining on view through April 18, 2008.

Museum of Surgical Sciences
1524 N. Lake Shore Dr. Chicago, IL 60610 USA
312.642.6502
fax 312.642.9516
info@imss.org

“Warsong: Iliad Cenotaphs” comprises painted wood sculptures representing the negative space of fatal wounds suffered by warriors in Homer’s Iliad. Throughout the ancient Greek epic poem, more than 250 warriors are introduced by name only to be slaughtered on the battleground, the description of their injuries so precise that Gabel has been able to create detailed anatomical models of the flesh displaced by spears and arrows. He says, “Through the cartography of the body, the medical view of the world illuminates not only the physical properties of life, but also the intangible value of it.”

In sculpting what is literally lost during these soldiers’ deaths, Gabel asks viewers to consider what else war takes from humanity. According to the artist, “against the horror and literal disembodiment that is modern warfare, these ancient warriors offers an almost eerily serene entry-point for the contemplation of life and its violent cessation.” Gabel currently resides in Brooklyn, New York, and received his MFA from Rutgers University. For further details about Gabel and his art, please visit www.jonathangabel.com.

“Marked” consists of a faux medical device that continuously scans a conveyer belt of skin images from which Kohnke has excised every marking. Upon registering a void in the stream of images, the pneumatic mechanism triggers a light on one of two bodies, representing the marking’s original location. The pair of bodies that Kohnke employs—a human form and that of a fawn—illustrates the contrasting functions of external markings, which can signal a life-threatening illness in the one and serve as life-preserving camouflage in the other. “In nature, markings and spots on the body’s surface are used to increase the chances of survival, whereas on humans they are looked upon as flaws or the markings of death,” Kohnke says.

Inspired by a good friend’s death from melanoma, “Marked” reflects Kohnke’s meditation on the fragility of all life, whose fate can be determined by a seemingly insignificant mark. He says, “The idea that something so small and overlooked on the skin can consume your entire body both frightens and intrigues me.” A former resident of Evanston and MFA graduate of the Art and Technology program at the School of the Art Institute of Chicago, Kohnke recently relocated to Pasadena, California. More information about Kohnke and his work is available at www.josephkohnke.com.

COSMIC CARTOGRAPHY JOURNEY THROUGH THE UNIVERSE (12/5)













COSMIC CARTOGRAPHY JOURNEY THROUGH THE UNIVERSE

Join University of Chicago Cosmologists Rocky Kolb and Michael Turner for a cosmic magical mystery tour from Chicago to the edge of the visible universe. Visit observatories around the globe (virtually) and meet people who are mapping the Dark Matter that holds galaxies together and discovering the nature of the Dark Energy, which pulls space apart.

December 5, 2007 @ 7PM - Enter at 220 South Columbus Ave - Follow the YOU ARE HERE Red Dots

This event is free
- No reservations required - First come first serve - Doors OPEN at 6:30PM

For more go here:
http://cosmicmaps.uchicago.edu/public.html

Biocultures Graduate Student Conference

>science >technology >culture >humanity

Graduate Student Conference

University of Illinois at Chicago,
Friday and Saturday
November 16-17, 2007
- free-


Keynote speakers:

Judith Halberstam, University of Southern California
Lennard J. Davis, University of Illinois at Chicago

Schedule and details:


http://www.uic.edu/depts/engl/biocultures/

Where Art and Science Meet: Conservation Science at the Art Institute of Chicago (11/8)

Where Art and Science Meet: Conservation Science Activities at the Art Institute of Chicago

a talk by Dr. Francesca Casadio, A.W. Mellon Conservation Scientist, The Art Institute of Chicago

Columbia College Chicago Ferguson Auditorium
600 S. Michigan Ave.
5 pm


Dr. Casadio will describe case studies from the Art Institute of Chicago detailing how analytical chemists work with historians and art conservationists to enhance the understanding, restoration and long-term preservation and storage of works of art.

The Hysterical Alphabet (11/8)


The Hysterical Alphabet

by Terri Kapsalis
Video by Danny Thompson
Sound by John Corbett

A performance not to be missed, and one night only!
For a preview, click here.

Thursday, November 8, 2007 at 6:00 p.m.
at the Gene Siskel Film Center
164 N. State Street

produced in conjunction with Experimental Sound Studio's Outer Ear Festival of Sound
in partnership with the School of the Art Institute's Conversations at the Edge series

$9 general admission
$7 for students
$5 for Film Center members
and $4 for students and faculty of the School of the Art Institute
November 8. One Night Only!


From Pythagoras to Hendrix: The Development of the Tempered Musical Scale ( 10/25)


From Pythagoras to Hendrix: The Development of the Tempered Musical Scale for the Guitar
a talk by
Dave Dolak (Science and Math Department, Columbia College Chicago)

Columbia College Chicago Ferguson Auditorium
600 S. Michigan Ave.
5 pm

Popular professor for Geology Explored: Dinosaurs and More and Physics of Music, Artist-in-Residence Dave Dolak will describe the evolution of the tempered musical scale through various cultures.

Government Pressure forces Scientist's Plea in the bizarre ongoing Art-Science-"Bioterrorism" case

October 11, 2007
FOR IMMEDIATE RELEASE

SICKNESS, “ABSURD” DOJ PROSECUTION FORCE SCIENTIST TO PLEAD IN PRECEDENT-SETTING CASE
Scientist’s Wife and Daughter Comment on Case

Buffalo, NY - Today in Federal District Court, Dr. Robert Ferrell, Professor of Human Genetics at the University of Pittsburgh Graduate School of Public Health, under tremendous pressure, pled guilty to lesser charges rather than facing a prolonged trial for federal charges of “mail fraud” and “wire fraud” in a surreal post-PATRIOT Act legal case that has attracted worldwide attention.

“From the beginning, this has been a persecution, not a prosecution. Although I have not seen the final agreement, the initial versions contained incorrect and irrelevant information,” said Dr. Dianne Raeke Ferrell, Dr. Ferrell’s wife and an Associate Professor of Special Education and Clinical Services at Indiana University of Pennsylvania. “Bob is a 27 year survivor of non-Hodgkin’s lymphoma which has reoccurred numerous times. He has also had malignant melanoma. Since this whole nightmare began, Bob has had two minor strokes and a major stroke which required months of rehabilitation.”

Dr. Ferrell added that her husband was indicted just as he was preparing to undergo a painful and dangerous autologous stem cell transplant, the second in 7 years.

The Ferrells’ daughter, Gentry Chandler Ferrell, added: “Our family has struggled with an intense uncertainty about physical, emotional and financial health for a long time. Agreeing to a plea deal is a small way for dad to try to eliminate one of those uncertainties and hold on a little longer to the career he worked so hard to develop… Sadly, while institutions merely are tarnished from needless litigation, individuals are torn apart. I remain unable to wrap my mind around the absurdity of the government’s pursuit of this case and I am saddened that it has been dragged out to the point where my dad opted to settle from pure exhaustion.” (read Gentry Ferrell’s full statement)

Dr. Ferrell’s colleague Dr. Steven Kurtz, founder of the internationally acclaimed art and theater group Critical Art Ensemble, was illegally detained and accused of “bioterrorism” by the U.S. government in 2004 stemming from his acquisition from Dr. Ferrell of harmless bacteria used in several of Critical Art Ensemble’s educational art projects. After a costly investigation lasting several months and failing to provide any evidence of “bioterrorism,” the Department of Justice instead brought charges of “mail fraud” and “wire fraud” against Kurtz and Ferrell. Under the
USA PATRIOT Act, the maximum penalty for these charges has increased from 5 years to 20. (For more information about the case, please see “Background to the Case” below or the CAE Defense Fund site)

JURIDICAL ART CRITICISM?

The government is vigorously attempting to prosecute two defendants in a case where no one has been injured, and no one has been defrauded. The materials found in Dr. Kurtz’s house were obtained legally and used safely by the artist. After three and a half years of investigation and prosecution, the case still revolves around $256 worth of common science research materials that were used in art works by a highly visible and respected group of artists. These art works were commissioned and hosted by cultural institutions worldwide where they had been safely displayed in museums and galleries with absolutely no risk to the public.

The Government has consistently framed this case as an issue of public safety, but the materials used by Critical Art Ensemble are widely available, can be purchased by anyone from High School science supply catalogues, and are regularly mailed.

PROFESSORS OF ART & SCIENCE EXPRESS ALARM

“The government’s prosecution is an ill-conceived and misguided attack on the scientific and artistic communities,” said Dr. Richard Gronostajski, Professor of Biochemistry at SUNY Buffalo, where Professor Kurtz also teaches. “It could have a chilling effect on future scientific research collaborations, and harm teaching efforts and interactions between scientists, educators and artists.”

“It’s deeply alarming that the government could pressure someone of Dr. Ferrell’s stature into agreeing to something like this. The case threatens all Americans’ Constitutionally guaranteed right to question the actions of their government,” said Igor Vamos, Professor of Integrated Electronic Arts at Rensselaer Polytechnic Institute.

....the full press release continues here

For more information about the case, including extensive documentation, please visit http://caedefensefund.org


CONTACTS:
Email: mailto:media@caedefensefund.org
Claire Pentecost: 773-383-9771
Gregory Sholette: 212-865-3076
Edmund Cardoni: 716-854-1694
Igor Vamos: 917-209-3282
Lucia Sommer: 716-359-3061
Dianne Raeke Ferrell: 412-352-2704


"Narrative Psychiatry" talk at Biocultures (10/16)

Bradley Lewis MD, Ph.D. speaking on "Narrative Psychiatry."

Biocultures Faculty/Grad Seminar

Tuesday, October 16, noon to 1:30PM.

University of Illinois
Westside Research Office Bldg. Room 561
1747 West Roosevelt Road, Chicago

Bradley Lewis has dual training in medicine (psychiatry specialty) and interdisciplinary humanities. He writes and teaches at the interface of medicine, bioscience, humanities, science studies, and cultural studies. He is the author of numerous articles published in academic journals, is the cultural studies editor for The Journal of Medical Humanities, and has a book in progress entitled Postpsychiatry: Theorizing the Modern Clinic.

-------Open to public

-------Lunch will be provided.


“Recovery: Embroidered X-Rays” & “Under the Looking Glass" (till 10/19)

Matthew Cox, “Recovery: Embroidered X-Rays

Maggie Leininger, “Under the Looking Glass: Examining Natural and Constructed Structures

August 3–October 19, 2007
International Museum of Surgical Sciences
1524 N. Lake Shore Dr.
Chicago, IL 60610 USA
312.642.6502
fax 312.642.9516
info@imss.org

These artists juxtapose stitching with medical imaging technologies to investigate the human condition.

Matthew Cox, Skull with Earrings

“Recovery,” the title of Cox’s exhibition, is fitting on a number of levels: the works consist of found x-rays that Cox has recovered from hospitals and transformed into artwork by literally re-covering parts of the exposed skeletons with embroidered faces, hair, and clothing, all rendered in a slightly anachronistic Botticelli-esque style. Contrasting the cold, diagnostic quality of the x-rays with the nurturing aspect of hand-stitching, the artist nurses the depicted patients through their recovery from sickness to health. Stitching, says Cox, “acts as care giving or healing to the injured, a socially feminine sort of action, while the x-ray itself can be considered masculine and unemotional.”

Under the Looking Glass,” Leininger’s exhibition, comprises embellished fabric “specimens” that replicate the microscopic patterns created by disease-causing microbes as they grow, reproduce, and form colonies not unlike those found within human civilizations. These works illustrate parallels between two types of “cultural development”: the naturally occurring cellular processes of bacteria in a Petri dish, and the social engineering of communities within an urban environment. Leininger says, “Groups of cells divide and interact with one another the way many of us interact in daily life, navigating paths and creating or breaking barriers for specific purposes. Cultural development, either within a specific neighborhood or larger cultural unit, is represented by the macrocosm of these smaller pieces.“

Kosmolet - Huong Ngo at DEADTECH (10/6)

October 6-November 10
Deadtech
3321 W. Fullerton Ave.
Opening Oct. 6, 7:00-10:00 pm

This Saturday, October 6, we are opening a new installation by Huong Ngo titled "Kosmolet (Radio Receiver No. 1)" at Deadtech.

Kosmolet is a radio drawing, a functional receiver made out of common household materials, that spans the entire gallery space. Delicate wire lines serve as antennas, bricolaged cardboard and aluminum foil become the frequency tuners, and lowly cardboard tubes are transformed into noble inductor coils.

huong-ngo-kosmolet

'Kosmolet' is a celebastardization of the Russian word 'Komsomolet,' or 'little comrade,' the name given to crystal radio kits for little boys during the Stalinist era. Tuning into as many stations as possible in the shortwave to mid-wave range, Kosmolet is also a little world, or the world all at once, a Wunderkammer of sounds. Inspired by anecdotes of handmade radios scraped together under the watchful eyes of oppressive governments, Kosmolet is a declaration of the subversive power of information.

"How do Multicellular Organisms Evolve?" (10/8)

"How do Multicellular Organisms Evolve?"

a talk by Andy Knoll
Fisher Professor of Earth and Planetary
Sciences, Harvard University

Monday, October 8, 6
Northwestern